Download PDF Bird by Bird: Some Instructions on Writing and Life
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Bird by Bird: Some Instructions on Writing and Life
Download PDF Bird by Bird: Some Instructions on Writing and Life
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Audible Audiobook
Listening Length: 6 hours and 19 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Recorded Books
Audible.com Release Date: June 12, 2013
Whispersync for Voice: Ready
Language: English, English
ASIN: B00DD662JQ
Amazon Best Sellers Rank:
This is a put a pep-in-your-step writing book. It's really a book with instructions on having a WRITING life. I'm still in the thick of it but I've never laughed so hard or felt so motivated by a book to write.
Wry writing tips from a true master, filled with hilarious patter, poignant moments, and a treasure trove of good advice. I learned to get started with short assignments, write "shitty first drafts," and denounce perfectionism (one of my major hindrances). She writes, "Perfectionism is a mean, frozen form of idealism, while messes are the artist's true friend."Ms. Lamott touches upon all kinds of subjects that writers find intriguing, such as writer's block (and writer's jealousy), the benefits of writing groups and conferences, the ups and downs of publishing, and finding your voice. I loved her writing voice - it was honest and clear-headed and self-deprecating and touching. There's one very short story she includes that literally brought stinging tears to my eyes. I still to this day find such a feat to be a miraculous gift from a writer. I also loved this little instruction on writing and life: "There's no point in writing hopeless novels. We all know we're going to die; what's important is the kind of men and women we are in the face of this." Wise words, Ms. Lamott.As writers, we tend to be navel-gazers, but the following tidbit really hit home with the selfishness of some of my writing: "Some of us tend to think that what we do and say and decide and write are cosmically important things. But they're not." After which she states, "If you don't know which way to go, keep it simple." Such good advice!Finally, she advises that writing can bring you great pleasure in the midst of undeniable pain. And maybe, just maybe, you can write something that actually makes a difference: "Against all odds, you have put it down on paper, so that it won't be lost. And who knows? Maybe what you've written will help others, will be a small part of the solution. You don't even have to know how or in what way, but if you are writing the clearest, truest words you can find and doing the best you can to understand and communicate, this will shine on paper like its own little lighthouse." I think it's safe to say that now I want to be her best friend.
Obviously a lot of people have gotten value from this book, and so there must be something useful to it that I'm not seeing. But I personally found it to be the opposite of what I was personally looking for in a book ostensibly about writing instruction. I kept waiting for the writing instruction to occur, something about hooks, plotting, structure, POV, voice, succinct prose, different expectations for each genre, or something, anything. I eventually realized the author had no intentions of providing any specific advice, so I relaxed into it being a book about living creatively with personality disorders. I feel sympathy for people who struggle. I know it's not their fault. I want to show them love.And, I'd be interested to read about someone's unbalanced emotional state, sure, but not if it's projected onto me. I didn't identity with her descriptions about what I will feel as an author. It's not promoted as a book about her life as much as a book predicting what "you" will feel. It's prescriptive. It's targeted to the reader. It's saying this is what we will inevitably feel. And I think that is a dangerous practice. People tend to believe authority figures, and they experience what they believe they are expected to feel, via a kind of placebo effect. What our subconscious is told our subconscious can believe. What she details feeling is anything but pleasant or productive.Also, since it's listed as being about how to write, untrained readers might actually believe this is all you have to do - write messy, write passionate, write diligent, and apparently don't ever plan out the plot according to some tried and true schemata, according to research about what readers enjoy. Even experimental writers need to learn the rules in order to break them meaningfully. I've talked to readers of this book who said it threw them off for a long wasted time of writing because they gleaned from it that all you had to do was write random words without consideration for putting the correct plot points in the proper location in the Act structure.As well as being a manuscript editor, I've taught writing with universities for fourteen years. My fiction writing students are happy with my classes, and they make great improvement. I don't feel that's a bad thing. But this author boasts about how unhappy she makes her students by insisting to them that they will experience what she did, and she makes fun of them for not commenting and instead asking about getting an agent. That was somewhat a little funny if I looked at it from her POV, but it was the only moment I saw as remotely humorous. I read it as a desperately sad book overall.There is some cautionary advice not to let the ego get too involved, to strengthen the self esteem rather than depending on book feedback to provide it. If she had provided some proven, specific psychological methods of doing that, and if she demonstrated that she had that balance, herself, and what that feels like, I believe it could have been more worthwhile.
I have never wanted to take advice from anyone about writing. I have never read other books about this, and I have actively avoided workshops or classes. Behind this there is vanity and pride, and the idea that writing must come natural to me and it is an intimate process, secret and sacred and mysterious. But I have a problem. I have been in a rut for three years now. I haven’t written anything worthwhile, and it hurts so much. I chose this book because I liked the reviews. I liked it a lot. I think it’s the best way in which you can help other people write. As expected, there are no magic formulas (anyone who claims so is a charlatan), only a couple of simple, yet helpful exercises, but mostly just comments about writing and an introspection on a writer’s mind and life. What I take away from the book are the ideas about honesty, humility, and constant and passionate effort. It helped a lot. Anne Lamott is funny and sincere, the kind of voice that you can trust and makes you say “you know what, I’m gonna listen to youâ€. I also admired her warmth. I have been thinking a lot about feelings and ideas mentioned in the book, and I’ve been repeating myself some stuff, mantra-like. I feel I know what to do to become a better writer, and also a better person. Right now, the most valuable lesson was that vanity is useless and persistence is the key. It might sound simple, but it means a lot to me. Â
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