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Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe

Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe


Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe


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Say Nothing: A True Story of Murder and Memory in Northern Ireland, by Patrick Radden Keefe

Review

"If it seems as if I'm reviewing a novel, it is because Say Nothing has lots of the qualities of good fiction, to the extent that I'm worried I'll give too much away, and I'll also forget that Jean McConville was a real person, as were--are--her children. And her abductors and killers. Keefe is a terrific storyteller... He brings his characters to real life. The book is cleverly structured. We follow people--victim, perpetrator, back to victim--leave them, forget about them, rejoin them decades later. It can be read as a detective story. . .What Keefe captures best, though, is the tragedy, the damage and waste, and the idea of moral injury. . .Say Nothing is an excellent account of the Troubles. —RODDY DOYLE, The New York Times Book Review  "An exceptional new book. . .explores this brittle landscape [of Northern Ireland] to devastating effect.  . .fierce reporting. . .The story of McConville's disappearance, its crushing effects on her children, the discovery of her remains in 2003, and the efforts of authorities to hold someone accountable for her murder occupy the bulk of Say Nothing. Along the way, Mr. Keefe navigates the flashpoints, figures and iconography of the Troubles: anti-Catholic discrimination, atrocities by the Royal Ulster Constabulary and occupation by the British Army, grisly IRA bombings in Belfast and London, the internment of Irish soldiers and the hunger strikes of Bobby Sands and others, the Falls Road and the Shankill Road, unionist paramilitaries, the "real" IRA and the “provisionals," counter-intelligence, the Armalite rile and the balaclava. It is a dizzying panorama, yet Mr. Keefe presents it with clarity."—MICHAEL O'DONNELL, The Wall Street Journal "Patrick Radden Keefe’s new book Say Nothing investigates the mystery of a missing mother and reveals a still-raw violent past. . .The book often reads like a novel, but as anyone familiar with his work for The New Yorker can attest, Keefe is an obsessive reporter and researcher, a master of narrative nonfiction. . .An incredible story."—Rolling Stone "As the narrator of a whodunit. . .[Keefe] excels, exposing the past, layer by layer, like the slow peel of a rotten onion, as he works to answer a question that the British government, the Northern Irish police and the McConville family has been seeking the answer to for nearly 50 years... Keefe draws the characters in this drama finely and colorfully. . .Say Nothing is a reminder of Northern Ireland's ongoing trauma. And with Brexit looming, it's a timely warning that it doesn't take much to open old wounds in Ireland, and make them fresh once more."—PADDY HIRSH, NPR"Meticulously reported, exquisitely written, and grippingly told, Say Nothing is a work of revelation. Keefe not only peels back, layer by layer, the truth behind one of the most important and mysterious crimes of a terrible conflict; he also excavates the history of the Troubles, and illuminates its repercussions to this day."—DAVID GRANN, #1 New York Times bestselling author of Killers of the Flower Moon"Patrick Radden Keefe's gripping account of the Troubles is equal parts true-crime, history, and tragedy. Keefe's incisive reporting reveals the hidden costs of the Troubles, illuminating both the terrible toll of the conflict, and how it continues to reverberate today. A must read." —GILLIAN FLYNN, #1 New York Times bestselling author of Gone Girl“Patrick Radden Keefe uses the old Irish phrase, ‘Whatever you say, say nothing,’ to suggest and to say just about everything.  Keefe's great accomplishment is to capture the tragedy of the Troubles on a human scale.  By tracing the intersecting lives of a handful of unforgettable characters, he has created a deeply honest and intimate portrait of a society still haunted by its own violent past. Say Nothing is a bracing, empathetic, heartrending work of storytelling.”—COLUM McCANN, New York Times bestselling author of Transatlantic and Let the Great World Spin, Winner of the National Book Award"Patrick Radden Keefe has the rare ability to convey an intimate story that powerfully illuminates a much larger one.  Combining the skills of an investigative journalist with the storytelling power of a suspense novelist, Keefe brilliantly represents the menace and intrigue that devastated Belfast during The Troubles, and shows the course of ordinary lives headed toward inevitable and awful collision. By turns gripping and profoundly revelatory, Say Nothing shines a brighter light on Northern Ireland's tragic past than any history book."—SCOTT ANDERSON, New York Times bestselling author of Lawrence in Arabia“A shattering, intimate study of how young men and women consumed by radical political violence are transformed by the history they make, and struggle to come to terms with the blood they have shed, Say Nothing is a powerful reckoning. Keefe has written an essential book.”—PHILIP GOUREVITCH, author of National Book Critics Circle Award winner We Wish to Inform You That Tomorrow We Will Be Killed With Our Families and The Ballad of Abu Ghraib“Smart, searching, and utterly absorbing, Say Nothing sweeps us into the heart of one of the modern world’s bitterest conflicts and, with unusual compassion, walks us back out again along the road to reconciliation. This is more than a powerful, superbly reported work of journalism. It is contemporary history at its finest.” —MAYA JASANOFF, author of the National Book Critics Circle Award-winning Liberty’s Exiles and The Dawn Watch“Say Nothing is a piercing inquiry into the nature of political violence and its aftermath, by one of the best reporters in the United States. In this beautifully written book, Patrick Radden Keefe delves into the heart of the IRA, chronicling the worst years of the Troubles and the ghosts that continue to haunt Belfast even now that the fighting is over. Faulkner had it right: 'The past is never dead. It’s not even past.'” —PETER BERGEN, author of Manhunt: The Ten-Year Search for Bin Laden From 9/11 to Abbottabad  "[Keefe] incorporates a real-life whodunit into a moving, accessible account of the violence that has afflicted Northern Ireland... Tinged with immense sadness, this work never loses sight of the humanity of even those who committed horrible acts in support of what they believed in."—Publishers Weekly, *starred review*"A searing reflection on the Troubles and their aftermath... Masterly."—The Economist 

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About the Author

PATRICK RADDEN KEEFE is a staff writer at The New Yorker, an Eric and Wendy Schmidt Fellow at the New America Foundation and the author of The Snakehead and Chatter. His work has also appeared in The New York Times Magazine, Slate, New York, and The New York Review of Books, among others and he is a frequent commentator on NPR, the BBC, and MSNBC. Patrick received the 2014 National Magazine Award for Feature Writing, for his story "A Loaded Gun," was a finalist for the National Magazine Award for Reporting in 2015 and 2016, and is also the recipient of a Guggenheim Fellowship.

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Product details

Paperback: 800 pages

Publisher: Random House Large Print; Large Print edition (February 26, 2019)

Language: English

ISBN-10: 1984883216

ISBN-13: 978-1984883216

Product Dimensions:

6.1 x 1.3 x 9.2 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#4,404 in Books (See Top 100 in Books)

This book fulfills the needs of many of us who have relied upon limited accounts in US news media to understand the decades of "The Troubles" in Northern Ireland. Its detail complements what I learned during a visit to Northern Ireland in 2010 which helped me to understand the causes and impacts of the strife there and to anticipate the risks to the stability of the intervening two decades of "peace" which are threatened as decisions about post-Brexit borders loom.My caveat about the value of the book is that for those who may not closely read and assimilate the information in the relevant pages, for example 274 and 333, the casual reader may reach the conclusion that the paramilitary republican groups were the initial, and the sole, perpetrators of violence. Sifting the books' contents closely, one does find elements which negate that conclusion. On page 274 we learn that loyalist groups, supported by members of the British state, killed "hundreds" of civilians. On page 333, this charge is reiterated and the refrains, "What about Bloody Sunday?" and "What about Bloody Friday?" are charged as if in justifying one action by another. Further there are suggestions that the authorities may have tended to rely more heavily on transcripts that revealed violence by republicans than those of loyalists, perhaps because the latter might reveal the role that those authorities had played in league with the loyalists' causes.The complex nature of this tragic time should not be reached shallowly by readers' impressions. I call for greater balance in leading to understanding what drove these events. In 2010, I visited the Bloody Sunday museum in Derry not long after British officials finally officially acknowledged that their earlier defense of the actions leading to the death of 14 individuals engaged in a peace march had not been accurate. Finally, after more than three decades, it was admitted that 14 innocent and unarmed peace marchers were mowed down, some killed by a shot in the back while running away, by a military acting without justifiable provocation. The author did well characterize the disproportionate violence by the authorities in his account of the marchers who were met by authorities at Burntollet Bridge but here the outcome was not as mortal even if it fueled the subsequent violence in reprise.Personalizing the victim who was the widowed mother of 10 and following through with descriptions of the impact on her children might cause many readers to assign all the blame for The Troubles on the IRA. Having heard the story of an adolescent school girl who was killed by a rubber bullet from a military gun, her blood cleaned off the sidewalk by the mothers in the neighborhood, I had acquired a personal acquaintance with this victim of the authorities. By also personalizing the victims of violence that was brought by authorities, among these, the little girl hit by the rubber bullet or the 14 peace marchers who were intentionally killed, the author may have been able to achieve better balance. Surely, too, the author might have personalized a few of the victims among the "hundreds" that were killed by the loyalists? Knowing the innocence of those victims and the impact on their loved ones that followed from their senseless killing would have provided the balance that many readers might benefit from. Personalizing only one victim has rendered imbalance.A close reader already acquainted with the events may not have needed a balanced rendering but those readers, so informed, may not have needed to read the book. I only "down-star" my rating because of concern that blame needs to be balanced so that cause is understood and change can be embraced. Staying in a B&B in Derry, we met a South African who was there to consult on Truth and Reconciliation. That program involves divulging guilt to achieve reconciliation. What can the perpetrators and victims of violence in Northern Ireland learn when there is balance among the blameful?

I will write a formal review when it is allowed but know this book is incredible. Buy it now

After 40 plus years of researching Irish history and collecting 3500 books on Ireland and the diaspora, this book ranks in the top ten, if not in the top five. If you care an iota about modern Irish history, this should be the first book you buy this year. It is spectacular.

I visited Northern Ireland as a psychologist, in 1997. I had been working with families of murder victims, and had the chance to learn about the differences between street violence in America and political violence in Northern Ireland. Nothing prepared me for what I found.Keefe's book is the best book I have read about the reasons for, and impact of, political violence in Ireland. It goes deeper into the minds and lives of IRA operatives than anything I have read. It is terribly sad. And it is chillingly detailed. This is truly one of the finest pieces of investigative reporting and narrative nonfiction I have ever read. One other thing: this book provides a warning for those in America who ever consider the use of paramilitary violence to achieve extreme ends.

From the description of this book, I thought it was mostly about Jean McConville, the woman who disappeared during the Troubles. And I thought that the history of the Troubles would come second, but I was much mistaken. Jean is barely mentioned in the first half of the book and instead we are treated to an in depth discussion of what the Troubles were and what led to them, with introductions to far too many characters for me to keep track of. The more I read, the more I wished the author would finally start telling us about Jean, as that is what drew me to this book in the first place. It's not until 40% that we start to find out more about Jean, and since the notes section starts at 60% of the total book, this is 2/3 of the way through.The book itself is well-written and filled with interesting information. My main issues lies with the way it is marketed, or more accurately, what I perceived the book to be about. It is not a true crime book where we follow around detectives or amateur sleuths. More than anything, it is a modern history book about the Troubles, their legacy, and a few key players during this time. The McConvilles as a whole have a rather small part, despite what the description and the introduction would have you believe. Every time a new chapter started that introduced a new character and pushed the actual solving of the crime farther off, I found myself wanting to skim since I knew there was no way I was going to remember yet another name.2.5 stars rounded up since it was more of a perception issue than an issue with the book itself.

This really is a tremendously well researched and honest history of a tragic episode in a very sad time. The individual portraits of all of the people involved are very well done. It reminded me of the saying "The past in Ireland is never over. It really is never even past."

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